There are significant differences between a dissertation
and a scholarly monograph or book. The former typically has
a fairly narrow focus and is written, in part, to convince
a particular elite audience, a committee of senior scholars,
of your knowledge, research competence, and originality.
A scholarly monograph, on the other hand, is intended for
an entirely different audience, and one large enough to make
it worth the investment of an academic press. The audience
for the monograph may include some academic scholars, but
it is more likely to be made up of undergraduates and, we
hope, the intelligent pagan trade market.
The monograph will have to meet their needs and not assume
they know more than they actually do about the topic and,
at the same time, not “write down” to the practicing
pagan. If your book is intended for classroom use, faculty
will be the ones who choose to adopt it or not, so they will
be looking for a book that can be taught, one that will stimulate
students and one students will actually read. That means it
has to be interesting, highly readable, and make a significant
and original contribution.
The reasons for this are market-driven. Since the early
‘90s, academic presses have been finding it increasingly
difficult to publish first books and monographs in many areas
of the humanities and social sciences. Library purchasing
provided the traditional economic foundation for scholarly
publishing, but the limited funds for university library acquisitions
and the increase in the number of serials often gobble up
library budgets.
According to the Association of Research Libraries, in 1986
the ratio of book to journal expenditures was 44 percent to
56 percent; in 1998, it was 28 percent to 72 percent. That
means that in order to be published, a scholarly book must
be marketable, it must be relevant to a significant number
of potential readers.
We believe that books in our Pagan Studies series can have
a built in readership. We also acknowledge that means considerable
rewriting is usually necessary to turn a strong dissertation
into a good book.
Here are some suggestions for doing just that:
1. The first
thing you want to ask yourself is who your intended audience
is. Are you writing a text for
undergraduate students? If so, you need to use language
they will understand and make the book engaging enough
so that they will want to read the whole thing, and
not the Cliff Notes! Are you writing for other academics?
That requires a totally different approach.
2. Then ask yourself what you would want to read, not
have you shown all that you know about the topic. Think
about why your work really matters, and for whom. What
is your original contribution and how important is it?
The greater a work's significance, the wider its potential
market.
3. Do away with road-map openers and non-transitions
("First I shall take up .... Then I shall treat....).
4. Claim your own authority. After all, you did the
original research and thinking. That means you should
include sources only where necessary for your argument
and don't over document. Cut passages that are there
only to demonstrate your competence and eliminate long
literature reviews. The audience for your book will expect
you to have mastered the background of your topic. You
don't need to prove it again.
5. Make your manuscript interesting to a wider audience
than your dissertation was. For example, why would
you select a book for a particular course? With books
being as expensive as they are, why would a student want
to read it? Why would an educated pagan
practitioner who is neither academic nor student want
to buy it? At the same time that you expand the manuscript's
marketability, you need to maintain its scholarly authority
and value. . . a challenging but doable task!
Derricourt, Robin. 1996. An Author's
Guide to Scholarly Publishing. Princeton, NJ: Princeton
University Press.
Glatthorn, Allan. 2002. Publish or
Perish - The Educator's Imperative: Strategies for Writing
Effectively for Your Profession and Your School. Thousand
Oaks, CA: Corwin Press.
. . . . . 1998. Writing the Winning
Dissertation. Thousand Oaks, CA: Corwin Press (includes
information about rewriting for publication)
Harmon, Eleanor, and Ian Montagnes. 1978. The
Thesis and the Book. Toronto: University of Toronto
Luey, Beth. 1990. Handbook for Academic
Authors. Rev. ed. Cambridge: Cambridge University Press.