Books
Hilarity (New Issues Press, 2009).
Mechanical Cluster (Ohio State University Press, 2002).
Diasporadic (Helicon Nine Editions, 1998).
Anthologies
“Sand.” Poetry Daily Essentials, 2007.
“In the mouth.” notellmotel.com, Bedside Guide, #2. 2007.
“Left as I am now.” Get on the Bus.
“Lightning, 1882-1890.” The Eye of the Beholder: A Poets’ Gallery, forthcoming.
“What I Disliked About the Pleistocene Era,” “First Bookshelf,” and “The Alphabetizer Speaks.” Legitimate Dangers: American Poets of the New Century. (Sarabande Books, 2006).
“Long Distance.” Chance of a Ghost (Helicon Nine Editions, 2005).
“An Empty Surfboard on a Flat Sea.” The Paris Review Book of Heartbreak, Madness, Sex, Love, Betrayal, Outsiders, Intoxication, War, Whimsy, Horrors, God, Death, Dinner, Baseball, Travels, The Art of Writing and Everything Else in the World Since 1953. (Picador, 2003).
“Diasporadic,” “On Forgettings.” American Diaspora: Poetry of Exile (University of Iowa Press, Spring 2001).
“Persuasion,” “Good Water, “You and Them.” American Poetry: the Next Generation (Carnegie Mellon University Press, Spring 2000).
“Ritual.” Bite to Eat Place: an anthology of contemporary food poetry and poetic prose. (Redwood Coast Press, 1995).
Essays
Poem, Revised: 54 Poems, Revisions, Discussions. Edited by Robert Hartwell Fiske and Laura Cherry. Marion Street Press, 2008.
Poets’ Favorite Movies: Patty Seyburn
www.speechlessthemagazine.org/Seyburn%20favorite%20movies.htm
Reviews
The Hounds of No by Lara Glenum, Action Books, 2007. Slope.
Always Danger by David Hernandez, Southern Illinois University Press, 2006; Salt Water Amnesia, Poems by Jeffrey Skinner, Ausable Press, 2005. Poetry International..
Wedding Day by Dana Levin, Copper Canyon Press, 2005; The Incentive of the Maggot by Ron Slate, Mariner Books/Houghton Mifflin, 2005. Slope 23, 2008.
Part of the Bargain by Scott Hightower, Copper Canyon Press, 2005. The Journal, 2006.
Poems for Infidels by Gail Wronsky, Red Hen Press, 2005; Sono by Sarah Arvio, Knopf, 2006;
Chez Nous by Angie Estes, Oberlin College Press, 2005. Poetry International, Issue 11.
Journals
“Davenport.” DIAGRAM, forthcoming.
“Remember the last time.” Grist, Issue #3, forthcoming 2010.
“I Have Written the Last Elegy,” “Catastrophe is a Hard Blow,” “Famous Girl.” Hotel Amerika 2009, forthcoming.
“Amending Wall.” Measure, Volume IV, Issue 1, 2009, forthcoming.
“Salton Sea,” “The Interview.” Chaparral, 2009.
“Dragging Telegraph.” 5AM, forthcoming.
“Days of 1984,” “The Case for Free Will.” Arroyo Literary Review, Spring 2009.
“Stick & Stones (i),” New Zoo Poetry Review #12, January 2009, forthcoming.
“Perfecta” and “Stick & Stones (ii).” Slope, summer 2008.
“Once More on Free Will.” Verdad, Volume 4.
“B’rachot,” “Three Friends.” Zeek, January 2008.
“Celebrity (i),” “12:12 a.m.” La Fovea, December 2007.
“Hoopla” and “Long Distance.” Women in Judaism, 2007, Volume 5, Number 1.
“Insomnia Manual.” The Tampa Review, 33/34.
“The Pain of Produce” “4:04 a.m.” “4:44 a.m.” Askew, Issue #4 fall/winter 2007.
“Aubergine” and “The Train.” Verdad magazine, Fall 2007.
“The Pitch.” www.versedaily.com, September 4, 2007, reprinted from Cimarron Review, Summer 2007.
“Perfection Letter (viii).” www.versedaily.com, August 18, 2007, reprinted from 5 AM,
“The Pitch.” Cimarron Review, Summer 2007.
“Perfection Letter (vii)” and “Perfection Letter (viii). 5AM, Summer 2007, Issue #26.
“The Plan for Today.” Diagram, Issue 7.4.
“To Hope Street,” “2nd of Tammuz.” Arbutus.com, May 2007.
“Calder.” www.smallspiralnotebook.com, volume 3, issue 2, 2006.
“Pathetic Pathetic Fallacy,” “Art in America,” “Ode,” “Younger Man, “In the Mouth.” No Tell Motel (www.notellmotel.org), October 16, 2006.
“I, Your Soul,” “On Her Deathbed, Bessie Beckoned My Mother Close.” 5 AM, Spring 2006.
“Spanish for Dream.” Columbia Poetry Review, Issue 19.
“Introduction to National Holidays.” Iodine Poetry Journal, Spring/Summer 2006.
“Perfection Letters 1, 2 and 3.” Oxford Magazine, Issue XX.
“Perfection Letter.” Pleiades, Spring 2006.
“Pop Quiz: The Spider, Itsy Bitsy.” RHINO, 2006.
“Change of clothes? The very clothes of change.” Sharkforum: Opinion with Teeth,
February 20, 2006.
“You and Deanna Deserve Each Other.” 88, October 2005, Issue 5.
“That Was Then.” Hotel Amerika, v.4, n.2, Spring 2006.
“What I Disliked About the Pleistocene Era.” Poetry, October 2005.
“In re:.” Image, Number 47.
“Tuesday.” Swink, Issue 2.
“2:19 a.m.” The Antioch Review, Spring 2005.
“Psalm to Night.” American Literary Review, Spring 2004.
“3:55 a.m.” ACM (Another Chicago Magazine), Summer 2004.
“The Alphabetizer Speaks.” The Paris Review, Issue 172, Winter 2005.
“When I’m not feeling so good.” Poetry, January 2004.
“Where were you, Nymphs?” The Paris Review. Spring 2004, #169.
“1:21 a.m., 3:39 a.m.” Pool, #1, 2002.
“This Keeps Happening.” Born Magazine, Spring 2002.
“The From.” The Muse, 2002
“For,” “Choir Rehearsal, 7 p.m.” Center, vol 1, issue 2, 2002.
“Red Level.” Crab Orchard Review, Vol. 7, No. 1, Fall/Winter 2001.
“The Only Way.” Slate, November 6, 2001.
“The Lady Vanishes,” “(Return of) The Lady Vanishes.” Field, Number 65, Fall 2001.
“Cambria.” Trepan 3, Spring/Summer 2001.
“And all the women went out after her with timbrels and with dances,” “Where there is rejoicing, there should be trembling,” “Both to men and to women, to every one a cake of bread, and a cake made in a pan, and a sweet cake,” “Divided,” “Adam Reads the Guide to Western Birds,” “California Demotic.” The Paris Review 159, Fall 2001.
“Change of clothes? The very clothes of change!” Western Humanities Review, v. 56, no. 1, Spring 2002.
“Any Day Now, “ “Bats in Maine,” “Concatenate,” “Diasporadic,” “Inventory,” “lower case,” “lower case (ii),” “New York Water,” “The Follow,” “Through the Blinds,” “Turret,” “Wasting my Youth.” Shirim, Winter 2000.
“Manifesto of Regret and Acceptance.” PoetryBay.com, Winter 2001.
“Learyic.” The Seneca Review, Vol.XXX, No.2, Fall 2000.
“California.” Planet Poetry, Winter 2000.
“Baja Triumphal,” “Fireworks.” Trepan 2, Spring/Summer 2000
“lower case.” The Kansas City Star, June 25, 2000.
“Death by Reminiscence,” “To the Orange Still Green.” Faultline, Spring 2000.
“A Golem’s Lackey.” Western Humanities Review, Spring 2000.
“Assignment: An Empty Surfboard on a Flat Sea.” The Paris Review, Spring 2000.
“Apostrophic Apologia: To Detroit,” “Hourglass Figure.” Western Humanities Review, Vol. LIII, No. 3, Fall 1999.
“Gem and Senseless,” “Driving Tricks,” “On the Waterfront” “Bell, Book and Candle” “Exodus.” Crazyhorse, No. 57.
“Apolunar.” New Letters, Vol. 65, No. 2, 1999.
“Bottom of the Ninth.” CutBank 51, Spring 1999.
“Discord,” “Kiss, 1978.” Tailwind, Spring 1999.
“Detroit Regression,” “Brooch.” Gulf Coast, Vol. 11, Number 2, Spring 1999.
"Stone Notes." The Bellingham Review, Winter 1998/99.
"Orpah, Revising" "Jephthah's Daughter Signs Her Name" "Beruryah, Deciding" "Leah and the Mirror Ball." The Paris Review, Spring 1998.
“River Rock,” “Sense of Things.” Third Coast, Fall 1998.
“Semiotics of Wind,” “Mnemonics.” Quarterly West, #47, Autumn/Winter 1998.
"Dedication." New England Review, Summer 1998.
"Mourning." The Beloit Poetry Journal, Volume 48, No. 4, Summer 1998.
"Bats in Maine." Connecticut Review, 1998.
"Persuasion." Green Mountains Review, 1998.
"Pythagoras, Undone." Hubbub, Volume 14, 1997-1998.
"Spreading the Word." Western Humanities Review, Winter 1997.
"The Follow." The Cimarron Review, January 1997, No. 118.
"Inventory." Press, Issue 5, 1997.
“Facts of Flying.” Phoebe, Vol. 8, No. 1 & 2, Spring and Fall, 1996.
"Diasporadic." "Turret." Western Humanities Review, Fall 1996.
"Diasporadic,” "Left as I am now." The Best of Writers at Work, 1995.
"You and them." ACM (Another Chicago Magazine), Number 29, Spring 1995.
“Myopia in Canada,” “One of those things.” Poetry East, Winter 1995.
“June at Hudson’s Barbershop.” Mudfish 8, 1995.
“West,” “Carnivores.” Orange Coast Review, Number 5.
“Timing.” The Elephant Ear, No. 11, 1994.
“View from your apartment,” “Lying.” Faultline, Vol. 1, Spring 1993.
“This is the middle.” New York Quarterly, No. 52, 1993.
“The New Country.” Pearl, Spring 1993.
“Travelers.” The Louisville Review, No. 30, Spring 1991.